Director: Philip Scheffner
Country of production: Germany
Year of production: 2016
Duration: 93 mins
Language: English, French, Spanish, Russian, Arabic
On 14.09.2012 at 2:56pm, the cruise liner “Adventure of the Seas” reports to the Spanish Maritime Rescue Centre the sighting of a dinghy adrift with 13 persons on board. From a YouTube clip and biographical scenes evolves a choreography reflecting the past, present and future of the voyagers on the Mediterranean.
The coordinates 37°28.6’N and 0°3.8’E mark a point in the Mediterranean – 38 nautical miles from the port city Cartagena in Spain or 100 nautical miles from the Algerian port city Oran – depending on the narrator’s perspective. Observing the sea from this point, the whole world is water, sky and boundless horizon. A “sea of possibilities”, charged with the hopes, fears and dreams of the voyagers.
On 14th September 2012 at 2:56pm, using these coordinates, the cruise liner “Adventure of the Seas” reports to the Spanish Maritime Rescue Centre the sighting of a dinghy adrift with 13 persons on board.
The radio traffic between the cruise liner, the Cartagena port authorities, the rescue cruiser “Salvamar Mimosa” and the helicopter “Helimer 211” structures the soundscape of the film. Visually, the cinematic space contracts to a single, unedited sequence arching over the total duration of the film. It is a short YouTube clip which seems today as the very essence, the condensation of the situation in the Mediterranean. In single frames, the dinghy with 13 figures on board becomes an icon of the daily news images. We are forced to watch. From the recordings with tourists and officers of the cruise liner, with the crew of a container ship, with the Harraga, les bruleurs – “who burn their passports”, and their families the biographic traces of the documentary material are extended into a cinematic imagination.
A choreography emerges reflecting the past, present and future of the voyagers: Will another, a new potential space become visible when they meet again – in a cinematic space?
Philip Scheffner, born 1966 in Homburg / Saar, lives and works as an artist and filmmaker in Berlin. Together with Merle Kröger, Alex Gerbaulet and Caroline Kirberg he runs the production platform pong.
He took part in the Berlinale Forum with Havarie (2016), And-Ek Ghes… (2016), Revision (2012), Der Tag des Spatzen (2010), The Halfmoon Files (2007)